Excerpt from The Double Eagle
Pont de Grenelle, 16th Arrondissement, Paris
16th July - 9:05pm
They were late.
They'd said quarter to and it was already five past. It made him uneasy to be standing out in the open for this long. If they weren't there in the next five minutes he was leaving, a million dollars or not.
He patted his pocket nervously. It was still there, he could feel it through the black woollen material, its warm weight pressing against his thigh. It was still safe.
A teenage couple, arms interlinked, strolled towards him, snatching kisses every few steps in the dying light. Mid-embrace, the girl caught sight of him and broke away with an embarrassed shrug. Her fingers flew unconsciously to the small silver crucifix that hung around her neck.
"Bonsoir mon pĂ¨re."
"Bonsoir mon enfant."
He smiled and nodded at them both as they walked on past him to the other side of the Pont de Grenelle, noting that it was only then they allowed their guilty laughter to echo up through the fading heat. Against a crimson sky, the lights on the Eiffel Tower sparkled as if it was on fire.
With a sigh, he rested his arms on the bridge's parapet and looked out at the Statue of Liberty. Identical to her much larger sister across the Atlantic, she dominated the AllĂ©e des Cygnes, the narrow island in the middle of the River Seine upon which she had been erected in 1889, according to the inscription on her base. She had her back to him, smooth bronze muscles of crumpled fabric and taut skin, eternally youthful despite the green patina of old age.
As a child his grandmother had once told him that many members of their family had made the long and difficult journey from Naples to America in the 1920s. When he looked at the statue, he felt somehow connected to those faceless relatives, understood something of their sense of wonder at their first sight of the New World, their unshakeable faith in a new beginning. So he always chose this place. It felt familiar. Safe. Protected.
Caso mai. Just in case.
Two men appeared below out of the shadows of the bridge and looked up at him, interrupting his thoughts. He sketched a wave, crossed to the other side of the road and made his way down the shallow concrete steps towards them, walking under the bridge's low steel arch. He stopped at the edge of the wide area that encircled the statue's massive stone pedestal, careful as always to keep about twenty feet between himself and them.
They must have been there all the time, he thought to himself, watching him, checking that he was alone, hiding in the lengthening shadows like lions in long grass. That figured. These were not people to take chances. But then neither was he.
"Bonsoir." The large man on the left called clearly through the night air, his long blond hair melting into a thick beard. An American he guessed.
"Bonsoir," He called back warily.
A large Bateau Mouche swept down the river past them, its blinding lights reaching into the darkness, probing, feeling. The heavy folds of the statue's robe seemed to ripple and lift gently under their touch as if caught in some unseen draught.
"You got it?" The bearded man called out in English when the throb of the ship's engines had faded and the burning lights had shifted their relentless glare further along the bank.
"You got the money?" His voice was firm. It was the usual game, played out more times than he cared to remember. He looked down, feigning indifference and noticed that his polished black shoes were already dusty from the dry gravel.
"Let's see it first." The man called back.
He paused. There seemed to be something strange about the bearded man's voice. A slight tension. He looked up and checked over his shoulder but his escape route was clear. He blinked his concern away and gave them the standard response.
"Show me the money and I'll take you to it."
There. He saw it this time. Most wouldn't have noticed but he had been around long enough to read the signs. The stiffening of the shoulders, the narrowing of the eyes as the lone antelope strayed just that little too far from the rest of the herd. They were preparing themselves.
He looked around again. His route was still clear, although it was difficult to see beyond the trees as night closed in. Then he realised. That's why they'd been late.
So it would be dark.
Without saying a word he spun on the gravel, running, running as fast as he could, his slick leather soles spraying stones behind him like tyres accelerating on a dirt track. He couldn't let them get it. He couldn't let them find it.
He snatched a glance over his shoulder and saw the two men bearing down on him, a gun barrel glimmering in the orange glow of the lights that lined the bridge overhead like a sharp claw.
Instinctively, he snapped his head back round just as he ran onto the point of the knife. Now he understood. The dark shape that had appeared in front of him, arm outstretched, face masked by the night, had been hiding in the shadows until he had come within striking distance. He'd been herded into the arms of death like an animal.
With a short, sharp punch, the six inch serrated blade carved up into his chest and the shock of the impact made him swallow hard. He felt its coldness slicing through the soft cartilage at the base of his sternum, cutting into his heart.
It was the last thing he felt.
In the orange light, the blood that had leaked over the starched whiteness of his dog collar glowed green as Liberty's weathered skin. But unknowing, unseeing, unfeeling, her steady gaze was fixed instead towards America.
Towards New York.
Fifth Avenue, New York City
16th July - 11:30pm
Gracefully he fell, his body arcing in one smooth movement out from the side of the building and then back in, like a spider caught in a sudden gust of wind as it dropped on its thread, until with a final fizz of the rope through his gloved hand he landed on the balcony of the 17th floor.
Crouching, he unclipped the rope from his harness and flattened his back to the wall, his dark, lithe shape blending into the stained stone. He didn't move, his chest barely rising, the thin material of his black ski mask slick against his lips.
He had to be sure. He had to be certain that no one had seen him on the way down. So he waited, listening to the shallow breaths of the city slumbering fitfully below him, watching the Met's familiar bulk retreat into shadow as its floodlights were extinguished.
And all the while, Central Park's dark lung, studded with the occasional lights of taxis making their way between East and West 86th Street, breathed a chilled, oxygenated air up the side of the building that made him shiver despite the heat. Air heavy with New York's distinctive scent, an intoxicating cocktail of fear, sweat and greed that bubbled up from subway tunnels and steam vents.
And although a lone NYPD chopper, spotlight primed, circled ever closer and the muffled scream of sirens echoed up from distant streets through the warm air, he could tell they were not for him. They never were. Tom Kirk had never been caught.
Keeping below the level of the carved stone balustrade, he padded over to the large semi-circular window that opened onto the balcony, its armoured panes glinting like sheet steel. Inside, he could see that the room was dark and empty, as he knew it would be. As it was every weekend in the Summer.
A few taps on each of the hinges that ran down the side of the right hand window and the bolts popped out into his hand. Then carefully, so as not to break the alarmed central magnetic contact, he levered the edge of the window away from the frame until there was a gap big enough for him to slip through.
Once inside, Tom swung his pack down off his shoulder. From the main compartment he took out what looked like a metal detector - a thin black plate attached to an aluminium rod. He flicked a switch on the top of the plate and a small green light on its smooth surface glowed into life. Keeping completely still, he gripped the rod in his right hand and began to sweep the plate over the arid emptiness of the floor in front of him. Almost immediately the light on the back of the plate flashed red and he paused.
Pressure pads. As predicted.
Moving the plate slowly over the spot where the light had changed colour, he quickly identified an area that he carefully circled with white chalk. Repeating this procedure, he worked his way methodically across the room, moving in controlled, precise movements. Five minutes later and he had reached the far wall, a trail of small white circles in his wake.
The room was exactly as the photos had shown it and had the distinctive smell of new money and old furniture. A large Victorian partners' desk dominated, a masculine marriage of polished English oak and Italian leather that reminded him of the interior of a 1920s Rolls Royce. Behind the desk, the wall was lined with what looked like the remnants of a once substantial private library, now presumably scattered across the world according to auction lots.
The two sidewalls that ran up to the window were painted a sandy grey and symmetrically hung with a series of drawings and paintings, four down each wall. He did not have to look closely to recognise them - Picasso, Kandinsky, Mondrian, Klimt. But Tom was not there for the paintings, nor for the decoy safe he knew lay behind the third picture on the left. He had learnt not to be greedy.
Instead, he picked his way back through the chalk circles to the edge of the silk rug that filled the floor between the desk and the window, its colours shimmering in the pale moonlight. With his back to the window, he gripped one corner of the rug and threw it back. Underneath, the wood was slightly darker where it had been shielded from the bleaching sun.
Kneeling, he placed his gloved hands flat on the floor and slid them slowly across the dry wooden surface. About three feet in front of him, the tips of his fingers sensed a slight ridge in the wood. He moved his hands apart along the ridge, until he reached what felt like a corner on both sides. Placing his knuckles on these corners, he leant forward with all his weight. With a faint click, a two-foot square panel sank down and then sprang up about half an inch higher than the rest of the floor. It was hinged at the far end and he folded the panel back on itself so that it lay flat, revealing a gleaming floor safe.
The safe manufacturing and insurance industries co-operate on the security ratings of safes. Manufacturers regularly submit their products to independent testing by the Underwriters Laboratory, or UL, who in return issue the safe with a Residential Security Container Label that allows the insurers to accurately determine the relevant insurance premium. This safe, according to the freshly affixed label, had been rated TXTL - 60. In other words, it had been found to successfully resist entry for a net assault time of 60 minutes. It was one of the highest rating that UL could give.
Even so, it took Tom just eight and a half seconds to open it.
Inside there was some cash, around fifty thousand dollars he guessed, jewellery and a 1920s Reverso wristwatch. But he ignored all these, turning his attention instead to a large wooden box, its dark mahogany lid inlaid with a golden double-headed eagle, an orb and sceptre firmly gripped in each of its talons. The Romanov Imperial crest. He eased the box open, carefully lifting the delicate object it contained out from the luxuriant embrace of its white silk lining.
He felt his pulse quicken. Even to him, who had seen myriad object of breathtaking beauty, this was an exceptional piece. So much so that he took the unprecedented step - for him at least - of sliding his mask off his face for an unimpeded view. His uncharacteristic impudence was almost immediately rewarded. As the moonlight caught its jewelled surface, it came alive in his hands, glowing like firelight through the hoarfrosted window of a remote wooden cabin.
The words on the roughly torn page from the Christies catalogue that had been included with his briefing notes came tumbling back into his head.
'The Winter Egg was made by Carl FabergĂ© for Tsar Nicholas II to give to his mother, the Dowager Empress Maria Feodorovna, for Easter in 1913. The egg, cut from Siberian rock crystal is encrusted with more than three thousand diamonds, with another one thousand three hundred diamonds adorning the base.
As with all FabergĂ©'s eggs it contains an Easter "surprise", in this case a platinum Easter basket decorated with flowers made from gold, garnets and crystals. The basket symbolises the transition from winter to spring.'
Alone, he gazed at the egg. Soon, he could hear nothing except the steady rise and fall of his own chest and the ticking of an unseen clock. And still he stared, the room melting away from the edge of his vision, the diamonds sparkling like icicles in a midday sun, until he was certain he could see right through the egg, through his gloves and his fingers to the bones themselves.
Suddenly he was back in Geneva, standing at the foot of his father's coffin, candles sputtering on the altar, the priest's voice droning in the background. Some water had dropped off the circular wreath onto the coffin lid and was trickling off the side and onto the floor. He had stood there, fascinated, watching the red carpet change colour as the crystal drops shattered again and again on its soft pile.
Unexpected and unwanted, a thought had occurred to him then - or rather a question. It had slipped into his head and tiptoed around the edges of his consciousness, taunting him.
'Is it time?'
Afterwards, he had dismissed it. Not given it much thought. Not wanted to perhaps. But in the two months since the funeral, the question had returned again and again, each time with more urgency. It had haunted him, undermining his every action, investing his every word with doubt and uncertainty. Demanding to be answered.
And now he knew. It was so clear to him. Like winter turning to spring, it was inevitable. It was time. After this, he was going to walk away.
He slid his mask back on, packed the Egg up, shut the safe door and closed the wooden panel. Stealthily retreating across the room, he made his way back out through the window onto the balcony.
The sirens far below him seemed louder now and he found that his heart was beating in time with the thumping blades of the police helicopter that was almost overhead, its spotlight raking over the trees and street below, clearly looking for someone or something.
Crouching, he attached the rope to his harness and timed his jump for when the helicopter had made its next pass. In an instant he was gone.
Only an eyelash remained where it had fluttered down from his briefly unmasked face to the floor. It glinted black in the moonlight.